Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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And yet … He had had passages when a sort of blind unreason had attracted him almost to speechlessness towards girls of the most giggling, behind-the-counter order, big-bosomed, scarlet-cheeked. It was only Tietjens who had saved him from the most questionable entanglements.
“Hang it,” Tietjens would say, “don’t get messing round that trollop. All you could do with her would be to set her up in a tobacco shop, and she would be tearing your beard out inside the quarter. Let alone you can’t afford it.”
And Macmaster, who would have sentimentalised the plump girl to the tune of “Highland Mary,” would for a day damn Tietjens up and down for a coarse brute. But at the moment he thanked God for Tietjens. There he sat, near to thirty, without an entanglement, a blemish on his health, or a worry with regard to any woman.
With deep affection and concern he looked across at his brilliant junior, who hadn’t saved himself. Tietjens had fallen into the most barefaced snare, into the cruellest snare, of the worst woman that could be imagined.
And Macmaster suddenly realised that he wasn’t wallowing, as he had imagined that he would, in the sensuous current of his prose. He had begun spiritedly with the first neat square of a paragraph. … Certainly his publishers had done well by him in the matter of print:
“Whether we consider him as the imaginer of mysterious, sensuous and exact plastic beauty; as the manipulator of sonorous, rolling and full-mouthed lines; of words as full of colour as were his canvases; or whether we regard him as the deep philosopher, elucidating and drawing his illumination from the arcana of a mystic hardly greater than himself, to Gabriel Charles Dante Rossetti, the subject of this little monograph, must be accorded the name of one who has profoundly influenced the outward aspects, the human contacts, and all those things that go to make up the life of our higher civilisation as we live it today. …”
Macmaster realised that he had only got thus far with his prose, and had got thus far without any of the relish that he had expected, and that then he had turned to the middle paragraph of page three—after the end of his exordium. His eyes wandered desultorily along the line:
“The subject of these pages was born in the western central district of the metropolis in the year …”
The words conveyed nothing to him at all. He understood that that was because he hadn’t got over that morning. He had looked up from his coffee-cup—over the rim—and had taken in a blue-grey sheet of notepaper in Tietjens’ fingers, shaking, inscribed in the large, broad-nibbed writing of that detestable harridan. And Tietjens had been staring—staring with the intentness of a maddened horse—at his, Macmaster’s, face! And grey! Shapeless! The nose like a pallid triangle on a bladder of lard! That was Tietjens’ face. …
He could still feel the blow, physical, in the pit of his stomach! He had thought Tietjens was going mad: that he was mad. It had passed. Tietjens had assumed the mask of his indolent, insolent self. At the office, but later, he had delivered an extraordinarily forceful—and quite rude—lecture to Sir Reginald on his reasons for differing from the official figures of population movements in the western territories. Sir Reginald had been much impressed. The figures were wanted for a speech of the Colonial Minister—or an answer to a question—and Sir Reginald had promised to put Tietjens’ views before the great man. That was the sort of thing to do a young fellow good—because it got kudos for the office. They had to work on figures provided by the Colonial Governments, and if they could correct those fellows by sheer brain work—that scored.
But there sat Tietjens, in his grey tweeds, his legs apart, lumpish, clumsy, his tallowy, intelligent-looking hands drooping inert between his legs, his eyes gazing at a coloured photograph of the port of Boulogne beside the mirror beneath the luggage rack. Blonde, high-coloured, vacant apparently, you couldn’t tell what in the world he was thinking of. The mathematical theory of waves, very likely, or slips in someone’s article on Arminianism. For, absurd as it seemed, Macmaster knew that he knew next to nothing of his friend’s feelings. As to them, practically no confidences had passed between them. Just two:
On the night before his starting for his wedding in Paris Tietjens had said to him:
“Vinny, old fellow, it’s a back door way out of it. She’s bitched me.”
And once, rather lately, he had said:
“Damn it! I don’t even know if the child’s my own!”
This last confidence had shocked Macmaster so irremediably—the child had been a seven months’ child, rather ailing, and Tietjens’ clumsy tenderness towards it had been so marked that, even without this nightmare, Macmaster had been affected by the sight of them together—that confidence then had pained Macmaster so frightfully, it was so appalling, that Macmaster had regarded it almost as an insult. It was the sort of confidence a man didn’t make to his equal, but only to solicitors, doctors, or the clergy who are not quite men. Or, at any rate, such confidences are not made between men without appeals for sympathy, and Tietjens had made no
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